I feel like having a toddler around has helped me understand the role of sensory work and play far better than before parenthood. I even look back on my own childhood and remember moments where I can recall feeling dysregulated or something was off. I never liked the feeling of itchy socks on my toes. I hated having my hair done because of how it felt. When I initially started learning more about sensory play, one of the most powerful pieces was that everyone has sensory needs. Sensory regulation does not require a diagnosis, label, or “special” treatment. We all have the power to feel regulated or dysregulated by the work of the senses. Incorporating sensory experiences into the secondary English Language Arts (ELA) classroom can ignite students' creativity, deepen their understanding, and make writing come alive. By engaging multiple senses, educators can create a dynamic and immersive environment that inspires students to express themselves through writing. We can also help our students regulate their own systems and challenge behavior issues that are tied to classroom management. In this blog post, we will explore 10 sensory writing activities that can transform the ELA classroom into a hub of sensory exploration and literary expression.

This post is for anyone who judges a book by the cover or the first page. When it comes to narrative writing of any kind, the opening lines can make all the difference in captivating readers' attention. Narrative hooks are the secret ingredient that sets the stage for a compelling narrative. In this blog post, I provide a step-by-step guide to teaching narrative hooks in the secondary ELA classroom, empowering students to craft captivating beginnings that hook their readers from the start. You can take from my own lesson examples, or use the stories I use to design your own lesson.

Narrative writing is always the first big unit taught in sixth-grade English, but I would also argue that narrative writing is the perfect way to open up a brand new school year because we are finding out about our students’ stories. I am also pretty sure that October may be one of the toughest months to teach in considering that it consists of conferences, the end of the first marking period for my middle school, the flu season that starts circulating, and it is my birthday month. The last part is not a bad thing, I just find it easier to resent less “me time” with all of the to-do lists piling up. This post contains step-by-step directions for teaching a personal narrative writing unit at the secondary level. This includes directions, elements of the assignment, teaching strategies, and mentor texts. I also wanted to include information about writing conferences and grading information.

I always start and end the year with narrative writing in some form. While I often focus on things like voice and ideas with this genre of writing, it really is all in the details when it comes to helping the reader see what you are talking about on the page. This ability to “see” or visualize the imagery is called making a snapshot. Snapshots were first introduced to me by the way of Barry Lane’s The Reviser’s Toolbox. I first got a hold of this text working closing with an elementary school teacher writing friend who explained to me, “You know what we do isn’t really all that different.” I have been changed ever since.

This started on a Saturday, the Saturday before the Monday when I had to hand back rough drafts to my students. I wanted no part of them. I wanted nothing to do with them. Glancing at my comfy blanket and cup of coffee, I was a human replica of the emoji "ugh." Not wanting to embrace my stack of papers, I started texting a fellow English teacher about her method of using rubric codes. She uses numbers to correspond with different points on a rubric that come up over and over. We have had this discussion before, yet, I was resistant because I had always wanted to follow "traditional" feedback routes. Things I love: ink over typeface, writing in the margins, and seeing a child's face go, "You spent alllll that time on my paper?" Yes, yes I did. I have had many conversations about the writing process lately because it seems as ELA teachers, we all tackle this beast differently. I am not willing to budge on giving feedback on rough drafts, even though some instructional models no longer call for this step in the process. Rubric codes never seemed to fit...until it did. 

Thus, despite being rainy, I was thinking of ways to use flowers as a guide to help students of writing with personal narrative assignments. It also seems very "springy" of me to do. Not only are flowers beautiful, but their scent and how they seemingly "pop-up" in different aspects of life can help the writer get in tune with themselves. All four of these "flower power" prompts/activities that will be talked about in this post can be used in combination with each other, or they can be used as stand alone assignments to get students talking and writing about their own lives. Remember, identity work is they key to getting to know the writer. Nothing is more powerful than the personal narratives that bind a classroom together.