Gustavo, the Shy Ghost by Flavia Z. Drago is a heartwarming story of bravery, friendship, and self-expression—making it a rich mentor text for writing exercises across various disciplines. With its themes of shyness, the supernatural, and the courage to be seen, Gustavo’s journey offers endless opportunities for deep reflection and creativity in classrooms. Let’s explore how you can use this story as a springboard for disciplinary writing in all subject areas!

Picture books aren’t just for children—they hold profound lessons and beautiful insights that resonate with readers of all ages. For caregivers and teachers, these books are especially powerful tools, offering a creative and accessible way to foster emotional exploration and self-reflection. Picture books can serve as a bridge to reflective journaling, unlocking deep thoughts about life, emotions, and personal growth. They provide a unique opportunity to engage both young readers and adults in meaningful discussions, offering simple yet evocative narratives that inspire reflection. In this blog post, we’ll explore several picture books that not only tell compelling stories but also provide rich opportunities for journaling. Each book comes with a summary, a link to a read-aloud YouTube video, and thoughtfully crafted journal prompts to guide readers in exploring their inner world and nurturing personal growth.

I wanted to share these playlists because on Fridays, we do Friday Free Write. Students love to listen to music, but sometimes it also helps if we collectively have music playing overhead. I have two playlists in this post: Music with Words and Background Music. I included as many lyrics videos as possible because I feel like the music that we play in our classrooms is directly related to our personal tastes and the standard of what we feel is “appropriate.” I know my personal tastes in music are represented in my playlists. I did enjoy putting these lists together because it almost felt like I was a teenager burning a CD again. I tried to balance genres, but I tend to be heavy in R&B, Hip-Hop, and Soul. We sometimes have a “one artist” day like Michael Jackson and John Legend. Kids love listening to both current and old hits.

Please make sure you preview music before sharing if you are unfamiliar with the artist, genre, or song. While I would play the music on these playlists, it does not mean everyone would consider them appropriate.

Please make sure you preview music before sharing if you are unfamiliar with the artist, genre, or song. While I would play the music on these playlists, it does not mean everyone would consider them appropriate.

The idea of passion projects is not new. However, the idea of the passion project being the medicine we need during tough or uncertain times is an idea that becomes relevant and clearer as we move forward year after year. I was having a conversation with teacher friend, and we talked about the importance of having ideas that “set our brains on fire.” In other terms, having hobbies, goals, and dreams that we think about with as much interest, happiness, and concentration as possible. These are the ideas that get you up at 4 in the morning…in a good way. As teachers, the idea of learning and discovering new things is one of the reasons why we teach. We like to see the lightbulb moments in our students. The ah-has. The moments of change that we find meaningful. But, we often forget that learning is something that drives the inner motor of the teacher, too. 

This post outlines 10 ways we can find our own light.

It is time we find what feeds us especially right now with all of the school closures.

And even more so, after the closures. Because something that anchors me through all of this is the idea that we will come out of this somehow changed for the better. Passion projects are activities that we find meaningful because they feed into two parts that are essential to our teaching: Mindfulness and productivity. Mindfulness in a way that feeds our sense of calm, sense of purpose, and who we are and want to be. Productivity in which teachers need something that pushes them to not just be busy, but busy with intention. We are natural multi-taskers. We are magicians with time because we make the impossible happen each and every day in our classrooms.

And now it seems like the magic may be gone for a while.

Back-to-school season can mean immediate overwhelm and stress when it comes to lesson planning. Everyone is thrown back into the school routine, and it can be easy to not know where to start, especially with planning read alouds and book talks. I remember constantly thinking, I can’t wait to actually get to the content that I will be teaching.

So, why wait? Picture books can be used as read-alouds in the secondary classroom, and they can help access course content and building community activities. In this list, I have curated the ten best picture books that promise to ignite young minds, kindle imagination, and infuse the classroom with the joy of reading and writing. These storytime staples are here to accompany both students and educators on a captivating literary ride, setting the perfect tone for a year filled with exploration, growth, and endless possibilities.

Get ready to turn the page and dive into a world where learning knows no bounds!

July and August mark the beginning of a new season of school. While many view this time of year with mixed emotions, the idea of back-to-school planning is often met with a particular groan. It is hard to narrow down what to teach our kids when we haven’t met them yet. We want to create activities that will help us get to know them, but we also have to balance building expectations, district expectations, curriculum needs, and any pre-assessments or standardized testing. The time blocks can fill up, and it can be easy to feel like time is running away from you.

This post contains 5 areas that you can consider when doing your back-to-school planning. Specifically, I will be talking to literacy teachers in classrooms grades 4-10, but everyone can pick up some of these ideas and apply the concepts to their own classroom. You can also feel free to steal my first two weeks of school already planned out in detail in this post.

I feel like having a toddler around has helped me understand the role of sensory work and play far better than before parenthood. I even look back on my own childhood and remember moments where I can recall feeling dysregulated or something was off. I never liked the feeling of itchy socks on my toes. I hated having my hair done because of how it felt. When I initially started learning more about sensory play, one of the most powerful pieces was that everyone has sensory needs. Sensory regulation does not require a diagnosis, label, or “special” treatment. We all have the power to feel regulated or dysregulated by the work of the senses. Incorporating sensory experiences into the secondary English Language Arts (ELA) classroom can ignite students' creativity, deepen their understanding, and make writing come alive. By engaging multiple senses, educators can create a dynamic and immersive environment that inspires students to express themselves through writing. We can also help our students regulate their own systems and challenge behavior issues that are tied to classroom management. In this blog post, we will explore 10 sensory writing activities that can transform the ELA classroom into a hub of sensory exploration and literary expression.

I think every teacher has been in a situation where they wanted to run from their own classroom. Perhaps, if you are reading this, you want to currently bolt. Leave the keys on the desk. Grab your cold coffee and dreams of teacher inspiration and speed out of the parking lot. Tire tracks left behind you. This would be more than easy to do on many days throughout the school year.

But, the thing is you really, really care.

The fact that you care so much is the perfect starting point.

Teacher burnout is evident and almost inevitable, and sometimes we have particular classes that are more challenging than others. In my time in education, the repeated conversation of “what hour” was your rough hour or what grouping of students seemed to present the most challenges, both academically and behaviorally. This one class or grouping can be a contributing factor for teacher burnout but also presents a challenge because there is a mental block to tackle when working with a hard group day in and day out. This post has 5 steps you can take to reset any challenging class or group of students. It is meant to serve as a place of inspiration and hope because sometimes all we need to do is figure out some sort of a game plan to come back and try again tomorrow.

This post is for anyone who judges a book by the cover or the first page. When it comes to narrative writing of any kind, the opening lines can make all the difference in captivating readers' attention. Narrative hooks are the secret ingredient that sets the stage for a compelling narrative. In this blog post, I provide a step-by-step guide to teaching narrative hooks in the secondary ELA classroom, empowering students to craft captivating beginnings that hook their readers from the start. You can take from my own lesson examples, or use the stories I use to design your own lesson.

I think one of the hardest things to implement in any classroom, let alone an English Language Arts classroom, has got to be incorporating opportunities for students to speak to one another about content. Talking with teachers, many of them voice concerns about the management of speaking and listening activities and being afraid of the “chaos” that might ensue when we put students in charge of talking about what they are learning. If we as teachers are brave enough to let out students focus on speaking and listening skills and strategies, it might just be the key to unlocking great reading and writing learning. Effective communication lies at the heart of language arts education. Developing strong speaking and listening skills is crucial for students to express themselves confidently, comprehend information, engage in meaningful discussions, and collaborate effectively. In this blog post, we will explore 25+ strategies that all educators (not just ELA) can implement in any classroom to promote and enhance students' speaking and listening abilities.

The summary assignment in the upper elementary and middle school classrooms often doesn’t get talked about much in professional development materials, but it is one of the MOST assigned assignments during a given school year. Teachers are focusing on skills surrounding retelling, comprehension, and checking for understanding regarding genre. Summary writing is one of the cornerstone types of assignments that need to be mastered before moving to more complex material. Often, as a new teacher, you may not know where to begin. This post is an introduction to teaching the narrative summary and the nonfiction summary in grades 4-8. You will find the difference between narrative and nonfiction summaries, strategies for tackling both assignments, and then example assignments you can use now.

Teaching perspective and point of view when it comes to reading analysis is often the first step in a more advanced interpretation of any story. It is one of the capstone lessons that take place in middle school, and it is almost always found in canned curriculum guides that are used by larger districts. Traditionally, teachers focus on the first person, second person, and third person. Then, within third person- third person omniscient and third person limited. Narrative reliability often happens in 8th grade and beyond. This post is about how to do a brief introduction to the basic concepts of first person, second person, and third person.

As a reminder, here are quick definitions of each of the points of view:

First Person- the speaker or whoever is telling the story is speaking

Second Person- focuses on the listener of the story, think of this like a tour guide (On your left, you will see…)

Third Person- a voice outside of the speaker and the listener is telling the story

Third Person Limited- the voice doesn’t have all of the information, the individual scenes of a story are told with just that scene’s information

Third Person Omniscient- the voice is all-knowing, it knows all events, feelings, back stories, and what is going to happen

I first became familiar with the pre-writing portion of this assignment during a C3WP session I attended in 2019 through the National Writing Project. C3WP stands for College, Career, and Community Writers Program. If you are unfamiliar with the National Writing Project, it is an amazing network of literacy educators that often think outside of the box when it comes to teaching reading and writing. There is also a mission entrenched in the idea of “teachers as writers,” and continuing professional development as an integral way to continue building skills as an educator. Many of the writing sessions that are geared toward both adults and children focus on the inspiration from the life of the writer as a way to access the entire writing process.

Back in 2019 when I first wrote about generative writing, I said:

“...generative writing really is at the heart of all writer’s workshops because it uses the students’ interests and personal experiences to create the topics, provide the organization, and make the connections that are so necessary for engagement and comprehension.”

The term “generative” writing has a few different meanings in the world of writing.

It can take the form of an idea brainstorming in creative writing. It is often unedited and looks like a stream-of-consciousness exercise where the writer is not concerned with conventions like grammar, spelling, or punctuation. The cool thing about generative writing is that the students are the prompts. Your job as a teacher is transformative when you help facilitate the writer to discover their own writing process-including idea generation. Generative in the sense of this post means the ideas are generated from the writer’s life and then transposed into a variety of genres. This post will walk you through how to do this with argumentative writing, and then apply it to a writing workshop. 

Any teacher of literacy is going to come across this type of debate of reading levels and Lexile in their classroom and throughout their school buildings. To get right to the point: Should we, as teachers, be paying attention to the levels of reading that our students are at in terms of ability and demonstrated skill level? The answer is complicated. As a middle school teacher for over a decade, my students would enter the sixth grade at a variety of levels of reading ability and skill. This was due to a variety of factors, including tracking of students in elementary schools. The debate among educators is vast regarding reading levels and Lexile, whether or not your building has a particular strategic reading program or not. Here are some of the opinions about reading levels so you can get the gist of what everyone is talking about:

Students should be able to read any book they want. They shouldn’t be restricted to choosing books within their “range.”

Students should be limited to choosing books within their “range” because they can practice their demonstrated skillset. They can expand their selection with practice and skill acquisition. 

Students shouldn’t be told their reading levels or Lexile. 

Students should know their reading level. They are included in the process of helping them catch up. 

Teachers need to scaffold instruction with a variety of reading materials to reach students on their levels. 

Teachers need to expose their students to grade-level material to expose them to content at their grade level. 

Classroom libraries should not have publicly displayed Lexile or reading levels on books. Students should be able to choose their books. 

Classroom libraries need to be organized with a reading level in mind. Students should know what level of book they are holding in their hands to see if they can access the material. 

Programs like accelerated reader that give comprehension assessments are able to accurately show student knowledge. 

Canned programs are not able to demonstrate student understanding because it is simply measuring the student’s ability to take a test. 

There are even more viewpoints listed than the ones above. Everyone seems to have the right answer, while this post will contain my own personal opinions, it also serves as a starting point. This post is an invitation to conversation and reflection on the current practices in your classroom. As a curriculum consultant, I often will label materials with the Lexile or reading level information because it provides a means of information. Each teacher has their own opinion regarding Lexile or reading levels. In order to fully engage the conversation, educators need to understand what Lexile and reading levels are, how strategic reading classes are typically run, resources for reading level differentiation, and recommendations for selecting reading materials for your classroom. 

I was recently looking through Jill Jackson’s book “How to Coach Teachers to Teach (Almost) Anything: A Totally Practical Guide to Instructional Coaching” and I found myself nodding when she was talking about the difference between classroom management and behavior management. While some love talking about these topics, some stray away because of a variety of reasons: Fear of being wrong, feeling like “we are already doing everything,” or being downright frustrated with behaviors in the classroom. On the blog, I talk about all things reading and writing all the time, but the truth is, unless you have classroom management in place, the teaching of content cannot occur. This post provides a launching pad for brainstorming different areas of classroom management. The effort that goes into your routines and procedures really pays off, and then, you can focus on the skills that are attached to behavior management in your classroom.

Teaching inspiration often comes in cycles, especially for literacy teachers. We get excited about a reading project, and then figure out a workshop for writing that just works. We create a project for kids that gets them moving, and then come up with the perfect book-tasting setup that makes them want to read more. We hone in on the aspects of teaching that keep us going when it gets rough. Sometimes we know inspiration fades away during periods of burnout. This project with writing got my creative flow turned on again to want to research, put together, and create a lesson and activity for kids. Creative writing play kits are loose part containers that show kids how to find story ideas in everyday surroundings. They could be used for a variety of things, and you could easily create them with things you find at the Target dollar spot, local craft store, or even things around the house. Many of the things were items that my two-year-old can’t play with just yet because they were too small. This post is an outline of creative writing play kits: What they are, how to use them, and how to get inspired by putting them in front of kids.

The teaching of a poetry unit always begins the same. We talk about what is poetry, and then students will almost always give me their opinion on poetry writing as a genre. Some students love poetry. Some students immediately throw defenses up because they have notions about poetry that involve feelings, emotions, and talking about personal stuff. They aren’t wrong, but poetry is more than that perception. As teachers, we are charged with showing our students that it is okay to express feelings. It is okay to write about ourselves because it is a reflection of the safe environment we have created without our classrooms. While I have taught many different poetry assignments over the years, I have loved observing student reactions and seeing their faces when I play slam poems. It is like watching a show or attending a performance. There are tons of videos on Youtube, but this post will look at some of my favorites. Besides awesome examples you can use with kids today, I have given a few additional poems that teacher leaders could use when leading teacher training as well.

Whenever I met with my middle school English department, sat down with a colleague to collaborate, or simply talked to other others that teach any type of writing, the question would always come up: “So, how do you teach the essay anyway?” The academic essay is often largely subjective in terms of skill sequence and design involved in a unit plan. As I get the opportunity to work with more and more teachers, I find that this type of assignment is largely assigned based on the teacher’s own personal learning experiences, the teacher’s experiences with their mentor teacher, or a commonly known set of skills that everyone thinks is accurate. I am not saying that my way to teach any academic essay is better than anyone else’s method of teaching the essay. This post serves as a starting point for a larger discussion about how the genre of academic essays is implemented throughout the various grade levels. The goal should always be consistent. For the sake of this post, I am going to use the Six Traits of Writing as a common language to talk about how writing is taught in a classroom. I like the six traits of writing because all of the terms used can apply to many different types of writing. Throughout this post, you will find examples and tips on how to approach each part of the academic essay.

“Something has to happen…” This is what I said to one of my teaching colleagues at school regarding the level of stress, burnout, and fatigue that we were all experiencing.

I have said this in previous years, but now going into a full two years this March of teaching in a pandemic, alterations need to be made to my strategies of self-care that are realistic and adjust to the new normal of teaching and motherhood. My life has changed in a multitude of ways in the past two years.

1.) Virtual teaching and the Covid-19 pandemic created an atmosphere where we lost boundaries we never had. Teaching moved itself into our living rooms. We taught with our children on our laps, in our living rooms, and with dinner cooking during staff meetings.

2.) I became a mama. Now with an almost toddler, I am still trying to navigate my schedule on a daily basis as a classroom teacher and what that looks like after bedtime.

Classroom teaching has remained unchanged. It is just as hard as it was before, but my overall tolerance for inadequate systems is becoming something that can’t be ignored anymore. When we moved back to in-person learning, the education system as a whole tried to hold on to the things that were good about virtual learning, but we quickly fell back into old habits, routines, and schedules. We lost the social-emotional learning aspects of teaching that were so important and needed for so many children. But, we also remembered that realistic self-care wasn’t just wanted for teachers; it was needed. This post is a declaration of boundary-setting and some strategies I am going to propose regarding setting actual healthy boundaries with the profession of teaching as a whole. I am beyond wanting band aid fixes. I acknowledge that I do not have all of the answers, but one thing I know is clear: I can’t keep doing business as usual.

I have been talking to my teacher friends about something that naturally occurs each school year: Each of us will end up with at least one tougher class than the rest of the classes. This might be an advanced class that is really concerned about grades, a class that struggles with engagement or behavior, or a class that seems to constantly be at odds with each other. We have all seen the teacher memes or posts that highlight many of these ideas:

Your most challenging student will never be absent.

Dear teacher, I talk to everyone. Moving my seat will not help.

When a student asks to go to the restroom, just seconds after their best friend.

Welcome to teaching! When salaries are low, and everything is your fault.

When you find out that your worst-behaved student…has 3 younger siblings.

There’s no tired like teacher tired.

The sayings are true. We are tired. We are constantly making minute-by-minute decisions, and we are genuinely exhausted. Instead of dreading a class, I would like to offer some ways to turn that class into one that you love again. Nobody wants to be miserable. So, if some systems are put into place for both the teachers and the students, then the parameters are setup to safeguard your happiness as the leader of the classroom. You are no longer controlling chaos, but perhaps enjoying being in front of 30+ middle schoolers (at least in my position) again. This post offers 25+ tips that are designed to revise and edit classroom systems, reframe negative thinking, and insert more love and joy into your classroom for each and every hour. Take what you need. If you are struggling with a particular hour in your day, maybe you try one or two of these tomorrow or next week.