Gustavo, the Shy Ghost by Flavia Z. Drago is a heartwarming story of bravery, friendship, and self-expression—making it a rich mentor text for writing exercises across various disciplines. With its themes of shyness, the supernatural, and the courage to be seen, Gustavo’s journey offers endless opportunities for deep reflection and creativity in classrooms. Let’s explore how you can use this story as a springboard for disciplinary writing in all subject areas!

November content is all about research writing, gratitude, and personal learning goals.

NOVEMBER FEATURES:

• Research and Inquiry Writing Assignment Resources (Teaching tips, grading information, lesson examples, etc)

• Sports fiction book recommendations for kids

• Gratitude & Giving Visual Creative Writing Quick Writes

• Mini-Webinar on Journaling for Personal Learning

• Gratitude Log and Gratitude Tickets for Students and Teacher Friends

• Planning materials including a coffee-themed teacher planner to start looking toward 2024

• Grant outline to make getting materials easy for your classroom (New year, new books?)

October content that focuses on informational writing, horror and scary book recommendations, and added resources for sub plans, warm-ups, and creative writing.

Grab your copy of Ratchetdemic: Reimagining Academic Success by Dr. Christopher Emdin. Let’s get started for the month of October!

September content that focuses on finding routines, becoming laser-focused on self-care, argumentative writing, and planning a year built on a framework for equity.

Back-to-school season can mean immediate overwhelm and stress when it comes to lesson planning. Everyone is thrown back into the school routine, and it can be easy to not know where to start, especially with planning read alouds and book talks. I remember constantly thinking, I can’t wait to actually get to the content that I will be teaching.

So, why wait? Picture books can be used as read-alouds in the secondary classroom, and they can help access course content and building community activities. In this list, I have curated the ten best picture books that promise to ignite young minds, kindle imagination, and infuse the classroom with the joy of reading and writing. These storytime staples are here to accompany both students and educators on a captivating literary ride, setting the perfect tone for a year filled with exploration, growth, and endless possibilities.

Get ready to turn the page and dive into a world where learning knows no bounds!

Grab your copy of Cultivating Genius: An Equity Framework for Culturally and Historically Responsive Literacy by Gholdy Muhammad! Let’s get started for the month of September.

At the heart of the literacy classroom, you find stories. All kinds of stories. Especially in the middle-grade classroom, the personal narrative assignment seems to be the quintessential writing process project and often the first project done with students as a means to get to know who is in our classrooms. This is just one way to do a personal narrative project (out of many). Please take what you need to inspire your own teaching craft, and then tap into all of the amazing stories you have in front of you.

• Step-by-step instructions for teaching a narrative writing project

• Lesson ideas you can use now

• Group narrative writing projects to bring your classroom community together

July and August mark the beginning of a new season of school. While many view this time of year with mixed emotions, the idea of back-to-school planning is often met with a particular groan. It is hard to narrow down what to teach our kids when we haven’t met them yet. We want to create activities that will help us get to know them, but we also have to balance building expectations, district expectations, curriculum needs, and any pre-assessments or standardized testing. The time blocks can fill up, and it can be easy to feel like time is running away from you.

This post contains 5 areas that you can consider when doing your back-to-school planning. Specifically, I will be talking to literacy teachers in classrooms grades 4-10, but everyone can pick up some of these ideas and apply the concepts to their own classroom. You can also feel free to steal my first two weeks of school already planned out in detail in this post.

At each step of the process in this post, I will stop and show you some things I consider when I plan for that part of the lesson. These considerations come from the questions and experiences from teaching the mentor text routine to sixth graders. I teach these lessons to students with third-grade level reading and eleventh-grade level reading in the same room. I have coached teachers that have ranged from 4th grade to 10th grade with this process. The results are the same, but you may have to adjust the strategies for your content and level.

These considerations are not meant to be overwhelming, but I want to share what has worked for me along the way. I have also broken them down in terms of estimated time. When I was doing mentor text work daily it took 5-10 minutes each day because of the routine that I chose to implement in my room. One single mentor text lesson taught alone might take 20-25 minutes.

This quickstart guide walks you through everything you need to get started with teaching mentor texts in your classroom right away. There are 7 key elements to teaching mentor texts. At the end of this post, download the free template to get started with a book of your choice! You will also have access to my mentor text work. This includes 180+ slides and sentence frames featuring 55+ books.

The I Am series by Susan Verde and Peter Reynolds is one of the most identifiable book series in classrooms and stores. The art by Peter Reynolds is so specific to him, and the books have almost become synonymous with social & emotional text lists, mindfulness, and meditation for young people. There are 7 books in the series. This post covers 4 of them and how to use them in your classroom for teaching mindfulness through read-aloud and also writer moves for kids through mentor texts. While the recommended reading age for the books often states 3-7, these mentor texts could be used in any level classroom.

Let’s dive into using the I Am series as a whole group mentor text, and then let’s take a quick look at how 4 of the books can be broken down further for writing moves.

August content that focuses on planning for a new year, getting inspired, and focusing on poetry and narrative writing to build your classroom community.

What could be better than working with mentor texts AND talking about food? I love The Food Group series from Jory John and Pete Oswald. All of the picture books in this series feature a type of food and then a description that hints at the story behind the food. The whole series can be used in a variety of ways in any classroom grades 4-12. These books would also make great introductory activities and back-to-school mentor texts because kids love talking about food (I mean, most of us like talking about food). This post is a breakdown of how to apply The Food Group series to lessons as a whole, and then it includes details in a few of the books so you can see the mentor text examples. I will also remind everyone of the mentor text process of how to use books to teach writing to kids.

Hope you are hungry! Let’s write.

Reading like a writer is a skill that allows us to delve deeper into the intricacies of storytelling, characters, and the art of crafting meaningful prose. It invites us to go beyond simply enjoying a story and instead, to analyze the author's choices, techniques, and writing style. We can unravel the layers of The Wild Robot by Peter Brown to uncover the secrets that make this book a remarkable mentor text for the middle school classroom, and learn how to apply these insights to the teaching of writing. From grammar to writing moves, the published books kids are already reading can be one of the most powerful tools for teaching kids to write in any genre.

Peter Brown's The Wild Robot is an extraordinary adventure alongside Roz, a robot thrust into a wild and unfamiliar environment. This post outlines the writer's moves throughout four different parts of the book including figurative language, character development and description, and the interplay between plot and setting.

You can also check out my daily/weekly lesson plans for using this book as a mentor text and my corresponding slide presentation.

Teachers have been asking for help for years all the while doing the work of multiple professionals in one work week. Between lesson planning, grading, communication to home, activities, and the actual working with kids during the school day, teachers have long been burning out. The newfound trends with AI (Artificial Intelligence) have taken the world of business by storm, with many saying that “you are behind if you aren’t using AI.” Yet, as a former classroom teacher, I was hesitant to check it out. It felt like plagiarism. It reeked of cheating. But, then I adopted a new approach:

What if AI can help teachers do the tasks that take up so much time so that teachers can actually focus on the work of teaching kids?

This post explores the transformative potential of AI in the secondary English Language Arts (ELA) classroom. AI has rapidly evolved, paving the way for innovative educational tools and resources that can empower educators to create dynamic and personalized learning environments. In the realm of secondary ELA, AI can serve as a virtual assistant, offering a plethora of benefits ranging from lesson planning and differentiation to supporting English as a Second Language (ESL) and English Language Learners (ELL) students. With AI by your side, you can unleash your creativity, efficiency, and effectiveness as an ELA educator. Specifically, let’s look at how AI can help out with the everyday tasks of teaching including lesson planning, activity preparation, and differentiation to be inclusive of all types of learners.

I think one of the hardest things to implement in any classroom, let alone an English Language Arts classroom, has got to be incorporating opportunities for students to speak to one another about content. Talking with teachers, many of them voice concerns about the management of speaking and listening activities and being afraid of the “chaos” that might ensue when we put students in charge of talking about what they are learning. If we as teachers are brave enough to let out students focus on speaking and listening skills and strategies, it might just be the key to unlocking great reading and writing learning. Effective communication lies at the heart of language arts education. Developing strong speaking and listening skills is crucial for students to express themselves confidently, comprehend information, engage in meaningful discussions, and collaborate effectively. In this blog post, we will explore 25+ strategies that all educators (not just ELA) can implement in any classroom to promote and enhance students' speaking and listening abilities.

Any teacher of literacy is going to come across this type of debate of reading levels and Lexile in their classroom and throughout their school buildings. To get right to the point: Should we, as teachers, be paying attention to the levels of reading that our students are at in terms of ability and demonstrated skill level? The answer is complicated. As a middle school teacher for over a decade, my students would enter the sixth grade at a variety of levels of reading ability and skill. This was due to a variety of factors, including tracking of students in elementary schools. The debate among educators is vast regarding reading levels and Lexile, whether or not your building has a particular strategic reading program or not. Here are some of the opinions about reading levels so you can get the gist of what everyone is talking about:

Students should be able to read any book they want. They shouldn’t be restricted to choosing books within their “range.”

Students should be limited to choosing books within their “range” because they can practice their demonstrated skillset. They can expand their selection with practice and skill acquisition. 

Students shouldn’t be told their reading levels or Lexile. 

Students should know their reading level. They are included in the process of helping them catch up. 

Teachers need to scaffold instruction with a variety of reading materials to reach students on their levels. 

Teachers need to expose their students to grade-level material to expose them to content at their grade level. 

Classroom libraries should not have publicly displayed Lexile or reading levels on books. Students should be able to choose their books. 

Classroom libraries need to be organized with a reading level in mind. Students should know what level of book they are holding in their hands to see if they can access the material. 

Programs like accelerated reader that give comprehension assessments are able to accurately show student knowledge. 

Canned programs are not able to demonstrate student understanding because it is simply measuring the student’s ability to take a test. 

There are even more viewpoints listed than the ones above. Everyone seems to have the right answer, while this post will contain my own personal opinions, it also serves as a starting point. This post is an invitation to conversation and reflection on the current practices in your classroom. As a curriculum consultant, I often will label materials with the Lexile or reading level information because it provides a means of information. Each teacher has their own opinion regarding Lexile or reading levels. In order to fully engage the conversation, educators need to understand what Lexile and reading levels are, how strategic reading classes are typically run, resources for reading level differentiation, and recommendations for selecting reading materials for your classroom. 

I became a teacher in 2010. I decided that I wanted to go into teaching when I was in high school, and I have never looked back…until now. When I started Writing Mindset in 2017, I wrote about the frustrations that happened within the field of teaching. Things like grading, lesson planning, and feeling like I was running a never-ending race of papers, emails, and strategies to reach young readers and writers. I always felt like I belonged in my classroom, if only I could get the amount of paper under control or figure out how to self-care my way out of stress. 12 years is a long time to try to get the balance thing right, and the secret is, that there is no balance.

Teaching is a work of the heart.

I have been talking to my teacher friends about something that naturally occurs each school year: Each of us will end up with at least one tougher class than the rest of the classes. This might be an advanced class that is really concerned about grades, a class that struggles with engagement or behavior, or a class that seems to constantly be at odds with each other. We have all seen the teacher memes or posts that highlight many of these ideas:

Your most challenging student will never be absent.

Dear teacher, I talk to everyone. Moving my seat will not help.

When a student asks to go to the restroom, just seconds after their best friend.

Welcome to teaching! When salaries are low, and everything is your fault.

When you find out that your worst-behaved student…has 3 younger siblings.

There’s no tired like teacher tired.

The sayings are true. We are tired. We are constantly making minute-by-minute decisions, and we are genuinely exhausted. Instead of dreading a class, I would like to offer some ways to turn that class into one that you love again. Nobody wants to be miserable. So, if some systems are put into place for both the teachers and the students, then the parameters are setup to safeguard your happiness as the leader of the classroom. You are no longer controlling chaos, but perhaps enjoying being in front of 30+ middle schoolers (at least in my position) again. This post offers 25+ tips that are designed to revise and edit classroom systems, reframe negative thinking, and insert more love and joy into your classroom for each and every hour. Take what you need. If you are struggling with a particular hour in your day, maybe you try one or two of these tomorrow or next week.

The first few moments of class are critical for a variety of reasons, but the main reason for really focusing on those first few minutes is your entire lesson could be a success or failure depending on whether or not your students are engaged from the beginning. I love talking to teachers about warm-ups. I love hearing different strategies and ideas. One of the most powerful pieces of teacher advice I have to give is there is power in sharing the why or purpose behind your lesson right away. Our brains are hardwired for the information of “why am I here?” to feel safe and to create a sense of belonging. On another level, your warm-up helps unlock your classroom environment. You make students feel welcome with a warm-up.

So, how do you start class?

I have started my middle school English Language Arts class in a variety of ways. I sometimes rotate my warm-up strategies based on the grading marking period or trimester. I sometimes keep things that work well, and then I toss out other things that don’t. I almost always come back to some form of creative writing or choice reading with conferences.