At the heart of the literacy classroom, you find stories. All kinds of stories. Especially in the middle-grade classroom, the personal narrative assignment seems to be the quintessential writing process project and often the first project done with students as a means to get to know who is in our classrooms. This is just one way to do a personal narrative project (out of many). Please take what you need to inspire your own teaching craft, and then tap into all of the amazing stories you have in front of you.

• Step-by-step instructions for teaching a narrative writing project

• Lesson ideas you can use now

• Group narrative writing projects to bring your classroom community together

Dialogue is an essential element of storytelling, bringing characters to life and adding depth to narratives. As English Language Arts (ELA) educators, it is crucial to teach students the proper use of quotation marks and rules of dialogue. By mastering these skills, students can effectively convey conversations, enhance their writing, and develop a strong command of punctuation. In this blog post, I explore the importance of using quotation marks and the rules of dialogue, along with practical tips for teaching these concepts in the ELA classroom. Quotation marks serve two primary functions in writing: indicating direct speech and enclosing titles of short works. In this post, let’s focus on dialogue as it shows up in works of fiction or narratives.

I feel like having a toddler around has helped me understand the role of sensory work and play far better than before parenthood. I even look back on my own childhood and remember moments where I can recall feeling dysregulated or something was off. I never liked the feeling of itchy socks on my toes. I hated having my hair done because of how it felt. When I initially started learning more about sensory play, one of the most powerful pieces was that everyone has sensory needs. Sensory regulation does not require a diagnosis, label, or “special” treatment. We all have the power to feel regulated or dysregulated by the work of the senses. Incorporating sensory experiences into the secondary English Language Arts (ELA) classroom can ignite students' creativity, deepen their understanding, and make writing come alive. By engaging multiple senses, educators can create a dynamic and immersive environment that inspires students to express themselves through writing. We can also help our students regulate their own systems and challenge behavior issues that are tied to classroom management. In this blog post, we will explore 10 sensory writing activities that can transform the ELA classroom into a hub of sensory exploration and literary expression.

This post is for anyone who judges a book by the cover or the first page. When it comes to narrative writing of any kind, the opening lines can make all the difference in captivating readers' attention. Narrative hooks are the secret ingredient that sets the stage for a compelling narrative. In this blog post, I provide a step-by-step guide to teaching narrative hooks in the secondary ELA classroom, empowering students to craft captivating beginnings that hook their readers from the start. You can take from my own lesson examples, or use the stories I use to design your own lesson.

These two weeks focus on adding adjectives and snapshots in narrative writing using the mentor texts Out of My Mind by Sharon Draper and A Wrinkle in Time by Madeleine L'Engle. Both of these lessons build on each other as I first teach using adjectives in writing, and then we get some experience making snapshots in regards to characters and setting. A snapshot is a moment in writing that provides detail in terms of character or setting. The text The Reviser’s Toolbox by Barry Lane was the first text that introduced the idea of snapshots to me, and this text remains the go-to standard for items to teach in terms of narrative, personal narrative, and memoir writing. Students often receive practice in regards to describing themselves or character, but sometimes struggle with describing a setting or character interaction. Teaching them how to add detail in narrative writing sets the stage for teaching elaboration when it comes to argumentative and informational writing in our upcoming units.

…The same call for inclusivity in the beauty industry is also in the same call for the materials that we put in front of our students. This necessity drives the movements behind #WeNeedDiverseBooks and a call for diverse classroom libraries. We have to make materials available to our students. 

I bring up this description of skin tone though as a conversation starter for how skin color is often depicted in works of fiction. If we focus on diverse literature, it is important to look at how characters are being represented on the page. How are our students able to describe themselves? What descriptions do they see while reading? What is included in our weekly read aloud? These questions impact the makers of stories in the publishing industry, and they impact the strategies we are using to teach our children. These questions are necessary to bring up and think about in terms of engaging with my young writers that need to have access to mirrors, windows, and sliding glass doors in our classroom.

This post outlines different strategies as they are observed in 16 different middle-grade and young adult works of fiction. I am using mentor texts here to show my young writers that the works of published authors are not only accessible but can be unlocked to show them how to write. This post will give a great starting point to the young writer that desires to describe their character AND also make connections to that character’s background, culture, or identity through the use of skin tone identification. 

Each summer I am called back to Western Michigan University’s campus. It seems I can’t leave. I got my Masters Degree in the spring of 2014, and I promptly started working with the Third Coast Writing Project’s Camp for Young Writers. Entering the director role in 2017, this camp has been a huge motivation and drive behind my personal development work each year not only as a teacher, but as a writer. It has also taught me a great deal about teacher leadership. My favorite part about writing camp is that each and every adult, volunteer, and student calls themselves “writer.” It is a community that is a given. What we as teachers often spend some time creating in the fall, just simply happens. It motivates me to create this atmosphere in my classroom year after year. We are all writers, after all.

In my other post, “Middle-Grade Narrative Writing: Using Mentor Texts to Describe Setting (Snapshots)” I explained how a teacher could use examples or passages in mentor texts to help their young writers add details, description, and imagery to their narrative writing. This ability to “see” or visualize the imagery is called making a snapshot. Snapshots were first introduced to me by the way of Barry Lane’s The Reviser’s Toolbox. Characters really have five areas of focus when it comes to description: thoughts, feelings, actions, appearance, and speech. All of these areas can afford opportunities for students to learn how to do snapshots.

In review, a snapshot is a moment in narrative writing when you stop to describe a person or place in detail. There are many different writing moves to do this technique; however, the gist is the same: stop to inform your reader what the imagery is in your writing so they can become part of the reading experience with you. When you are designing a lesson on snapshots in either setting or character, I first like to start with adjectives and describing things my students know a lot about. Then, we can move on to the more abstract ideas of the imagination. The bridge between simple adjective description and more sophisticated writing resides in the use of mentor texts. I also like to practice all together in a whole group format using pictures. I love Nearpod for this type of practice because students can share adjective word ideas, and you can track whole group class participation. It is also pretty cool whole group collaborative writing. In the post, I will outline four different strategies for helping you to introduce snapshots for character description to your students with a variety of middle-grade mentor texts. I use mentor texts in my classroom to teach grammar, provide book talks to my students, and in writing instruction. Students then mimic the style of published authors and use their writing as a guide to help set up their own writing.

I always start and end the year with narrative writing in some form. While I often focus on things like voice and ideas with this genre of writing, it really is all in the details when it comes to helping the reader see what you are talking about on the page. This ability to “see” or visualize the imagery is called making a snapshot. Snapshots were first introduced to me by the way of Barry Lane’s The Reviser’s Toolbox. I first got a hold of this text working closing with an elementary school teacher writing friend who explained to me, “You know what we do isn’t really all that different.” I have been changed ever since.

Looking at these documents, you may think I am a little bit crazy. I am okay with that. However, I am excited to have a go at this project with my third hour group. I am constantly evaluating how I end a novel unit, and I enjoy reflecting on the type of paper writing I express as important to my students. When my grade-level colleague and I attended MCTE in October and listened to Kelly Gallagher, we got excited about the idea of a multi-genre project with our sixth graders. We teach a variety of paper genres throughout the school year, including the five-paragraph essay, but we wanted students to get a chance to be innovative and inquisitive about the world around them.

The McGinnis Reading Center and Third Coast Writing Project Camp for Young Writers have teamed up this year to put on a MEGA reading and writing camp! We had our first week this past week with Middle Schoolers focusing on WorldBuilding: Taking the Scenic Route. Students started to create the elements of their own worlds focusing on character, setting, plot, and conflict.