It might be an interesting experiment to pose some of these questions to your students this fall:

“How do you see your teachers?”

“What do you like or dislike about school?”

“What would you change about how school is setup?”

I bet we would get a ton of answers that would spark debate and some good-natured arguments. Another interesting take on these questions is to look at how school and teachers are represented in popular middle-grade and young adult texts. I originally started working on this post as a way to access narrative writing by looking at how authors portray kids’ thinking about schools and teachers. However, then I got to thinking about the bigger discussion we as teachers need to be having with our students. I am going to use this in my classroom as a way for students to talk about their feelings toward school and teachers, and then connect how they feel to what they want in their own experiences in education moving forward.  I want to keep in mind that these middle-grade and young adult texts are written by adults for young people, but some of their descriptions about school and teachers are surprisingly accurate. It would be interesting to cut up and put some of these passages in front of students to hear what they have to say.

…The same call for inclusivity in the beauty industry is also in the same call for the materials that we put in front of our students. This necessity drives the movements behind #WeNeedDiverseBooks and a call for diverse classroom libraries. We have to make materials available to our students. 

I bring up this description of skin tone though as a conversation starter for how skin color is often depicted in works of fiction. If we focus on diverse literature, it is important to look at how characters are being represented on the page. How are our students able to describe themselves? What descriptions do they see while reading? What is included in our weekly read aloud? These questions impact the makers of stories in the publishing industry, and they impact the strategies we are using to teach our children. These questions are necessary to bring up and think about in terms of engaging with my young writers that need to have access to mirrors, windows, and sliding glass doors in our classroom.

This post outlines different strategies as they are observed in 16 different middle-grade and young adult works of fiction. I am using mentor texts here to show my young writers that the works of published authors are not only accessible but can be unlocked to show them how to write. This post will give a great starting point to the young writer that desires to describe their character AND also make connections to that character’s background, culture, or identity through the use of skin tone identification. 

In my other post, “Middle-Grade Narrative Writing: Using Mentor Texts to Describe Setting (Snapshots)” I explained how a teacher could use examples or passages in mentor texts to help their young writers add details, description, and imagery to their narrative writing. This ability to “see” or visualize the imagery is called making a snapshot. Snapshots were first introduced to me by the way of Barry Lane’s The Reviser’s Toolbox. Characters really have five areas of focus when it comes to description: thoughts, feelings, actions, appearance, and speech. All of these areas can afford opportunities for students to learn how to do snapshots.

In review, a snapshot is a moment in narrative writing when you stop to describe a person or place in detail. There are many different writing moves to do this technique; however, the gist is the same: stop to inform your reader what the imagery is in your writing so they can become part of the reading experience with you. When you are designing a lesson on snapshots in either setting or character, I first like to start with adjectives and describing things my students know a lot about. Then, we can move on to the more abstract ideas of the imagination. The bridge between simple adjective description and more sophisticated writing resides in the use of mentor texts. I also like to practice all together in a whole group format using pictures. I love Nearpod for this type of practice because students can share adjective word ideas, and you can track whole group class participation. It is also pretty cool whole group collaborative writing. In the post, I will outline four different strategies for helping you to introduce snapshots for character description to your students with a variety of middle-grade mentor texts. I use mentor texts in my classroom to teach grammar, provide book talks to my students, and in writing instruction. Students then mimic the style of published authors and use their writing as a guide to help set up their own writing.

I always start and end the year with narrative writing in some form. While I often focus on things like voice and ideas with this genre of writing, it really is all in the details when it comes to helping the reader see what you are talking about on the page. This ability to “see” or visualize the imagery is called making a snapshot. Snapshots were first introduced to me by the way of Barry Lane’s The Reviser’s Toolbox. I first got a hold of this text working closing with an elementary school teacher writing friend who explained to me, “You know what we do isn’t really all that different.” I have been changed ever since.