I always end the first six weeks of school with narrative poetry. 1.) It is a mindset thing. I want to show the kids who don’t think they can write poetry that they indeed can write poetry. 2.) It is an excellent way to get to know students better. We may think we know each other after six weeks, but in reality, we have spent a lot of that time on testing and expectations. it is powerful to know our students and let our students know who we are as people. Cue Where I’m From Poems and I Am Poems. I use this form of poetry from George Ella Lyon each year to help build community and access important identity work. This post includes all of the assignment materials and my step-by-step process including mentor texts and a read-aloud.

The Third Coast Camp for Young Writers is an annual summer camp for young writers entering grades 3-8 that happens each year on the campus of Western Michigan University in Kalamazoo, MI. While planning for this year, my teacher partner Mrs. Roberts (Go see her at her teacher blog Literacy Adventures) already met to plan our sessions. I was going to do Animal Memoir writing with a mentor text of El Deafo by Cece Bell, and Mrs. Roberts was going to do science-themed writing sessions with the Science Comics series of graphic novels for kids. We had a plan back in February.

Then, when the COVID-19 pandemic hit our area, and we both navigated through emergency online learning, we were unsure that parents would want a virtual option at all for summer camp. We also were admittedly tired from online learning. After putting out a survey to our own students, their families, and former camp attendees, we got feedback that almost everyone wanted a virtual option for summer camp. So, we pulled together to develop a week-long adventure into writing called Camp Third Coast. See our promotional flyer here. This post is all about the planning of our virtual writing camp, and the lessons that I want to take with me into the fall teaching writing in an online environment. Spoiler Alert: The biggest lesson is that all of our students should we engaged in creative writing as much as possible-even in online learning formats.

Feedback is how you know an adventure is complete. Even if it is in stages. I love feedback, specifically, I love critical feedback. I often will immediately scour through my surveys at the end of the year and look for areas that need improvement. I always feel warm and fuzzy from a child’s comment about me being nice, awesome, or their favorite teacher. That is the ultimate compliment. Because that means that I can single-handedly change a student’s day. These comments are on my surveys each year. However, I often find myself looking through the feedback for the points that sting a little or the ways to make my classroom better.

I look for… “It was boring.”

I look for… “I didn’t like when we did…”

I seek out the… “class went so slow when….”

When we stop improving, we stop growing and adapting. Engagement is the ultimate tool for feedback. Because in engagement, resides respect, safety, and compassion. Now, the end of the 2019-2020 school year felt a little different. There were so many variables out of our control as teachers. Just to name a few: Online learning, technology, fear and trauma associated with being quarantined, illness, racial and social disparities, homelessness, students with disabilities and ELLs facing learning from home, and more. Finally, with the protesting in response to the murder of George Floyd, Breonna Taylor, and more, and the inability to talk about these issues face-to-face, my survey felt superficial. I knew what didn’t go right. But, I knew that the key was to still ask my students what they thought because their opinions matter. I finally got the courage up to look at their responses from the end of the year. This post is a report of my findings of perceptions as to me as a teacher, evaluations of face-to-face learning and online learning, and their overall journeys with their own reading this year. It is important to note that you will see 68 responses to my survey. I had 140 students this year, but the variables of online learning that made connecting with all students difficult, also presented a barrier to administering an end-of-year survey where all voices were heard. This is feedback in and of itself.

Distance or online learning creates the opportunity for teachers to learn new ways to approach students. I have always loved educational technology, and I have to admit, getting excited about learning how to screencast, edit videos, and use technology to meet with students has been good for my student-soul. I created a video tutorial for how to create a journal vision board, put music to the background, and transitions, and you would have thought I was the next coder to grab a hold of a mouse and keyboard. It is a powerful thing to keep learning. And while we must remain open and shift our mindsets to remaining positive during school closures, the most powerful and important tool I have right now in my teacher bag is the student journaling assignment.

Poetry has the power to be transformative, inspirational, and healing. Poetry is what I turn to when I find myself reluctant to read, or if I am having a bad day. It taps into the power of feelings, and most recently, the work I have done with graphic novels and novels-in-verse in my classroom has been the most impactful. Kids report at the end of the year that these two sets of activities are what stuck out to them as memorable, important, and meaningful. Especially during this time period, where many of us have found or are in the process of finding that our school year is cut short due to the COVID-19 pandemic, we turn to the power of poetry. The work of teaching is now different in nature and in context. We turn to the ability to work remotely and still provide the same level of commitment and inspiration to our students. The buildings perhaps are closed, but the process of learning is still open. One thing I am turning to particular in the month of April is poetry. Arguably, we will need poetry as part of the process of healing long after this crisis is over. Yesterday, in my bullet journal plan-with-me post, I spent some time curating a personal collection of poems that made me excited about poetry. I think this is an important exercise to do at the beginning of this month and in the process of kicking off any poetry unit.

Go ahead and make your list now and come back to the rest of this post when you can. Really. Even if you aren’t a poetry fan, you might find some comfort and joy in the lines you read. Your list (hopefully) will get you excited, motivated, and ready to begin to think about how you want to teach poetry to your students.

Then, take what you need from this resource post. I have outlined my favorite poems to teach, my favorite teaching resources, 75+ collections of poetry, novels-in-verse, and picturebooks I love, and I have linked how I teach Where I’m From poems. Maybe you are the one who needs poetry right now. Maybe your students need the poems you will share. As we move forward through social distancing and a pandemic, let’s remember to come back to the power of words on the page as often as possible.

I went back and forth on creating this remote learning document and sending it out to families. I feel that students deserve to have time off with their families, but I also knew that a month away during the school year was an extensive amount of time to miss. What a time we are living in right now. Coronavirus or COVID-19 has taken the country by storm and in attempts to “flatten the curve,” schools have shut down. My own district is out for a month, including one week of spring break. It seems like everywhere I look people are posting ideas for online learning and remote learning. While I know that many of my families struggle with access to technology, many of my families do have resources and materials available. Even if this is in the form of a mobile phone or device. I finally came to the decision that if even if some of my students find these resources useful, I would be glad I put the list together. I wanted to send out a hyperdoc with links to valuable resources that can help allow learning to happen (or at least attempt to) while we are away. This whole issue brings up so many reflections.

As educators, what are we supposed to be taking away from this moment?

What flaws in the system are now clear when our buildings shut down?

What limitations are not being addressed that allow our children to learn when our buildings are up and running?

I am proud that my district will offer food drops, but nothing can replace the routine, the classroom, the learning, the engagement, and the opportunities. The inspiration for this post came from Jennifer Gonzalez from the Cult of Pedagogy and her post titled “How HyperDocs Can Transform Your Teaching.” It made the most sense to offer a hyperdoc that linked to valuable resources. This post will outline my letter to families, a suggested schedule, and 20+ strategies to reach online learners through remote systems.

Arthur O’Shaughnessy in his 1874 poem “Ode” wrote: “Yet we are the movers and shakers/Of the world forever, it seems.” I love the term “mover and shaker” because it reminds me of dancing, but what it really lends is to people who make an impact on the world. It is no secret that one of my favorite units to teach is research. I love the choice, the process, and the hard work it takes to produce the product. I also love seeing middle schoolers wrap their brains around the formatting of this project (MLA), and how they get excited about solving problems. One of my favorite things, after all, is to solve problems.

The MLA Research Paper unit I do each winter going into spring focuses on activism. Students identify a problem in their school, community, or world and then research that problem, Inevitably, they see causes, effects, and hypothesize solutions as well. This post will walk you through some mentor texts and resources, strategies, and pacing of the overall unit.

Independent learning is always the goal. Biographical reports each year mark one of the first big projects where the gradual release of responsibility actually happens. Biographies are more than about choosing a person that seems interesting, it is about giving students the ability to show interest and make choices in what they are learning. The goal of all teachers should be to teach our students to go find the answers that they seek. A natural curiosity is what drives the passion behind real learning. There is always a moment with this project that I step back, listen to the fingers clicking and clacking on keyboards, see the focus in eyes on screens and books, and the drive to write down facts, and I think to myself: “Learning looks like this.” This post outlines my entire process from directions to the beginning of assessment for biographical report writing in my middle school English Language Arts classroom.

Before we begin the project, students are guided through practice paragraphs. It is always interesting to me where teachers think students should and should not be in terms of writing ability when they reach middle school. Year after year, the review of paragraph writing is one of the critical elements in moving forward into larger projects later on in the year. I start by finding 4-5 articles that are about interesting people. They are specifically high-interest people to start gaining traction with the project before we begin. The first people I grabbed this year were Serena Williams, Bethany Hamilton, Helen Keller, and Nina Simone. We take notes on paragraph writing, watch video clips, hear audio clips, and then practice writing a biographical paragraph together. After that, I assign clockwork partners and release them to practice on their own with other classmates.

The idea of constantly evolving and changing how we shape lessons is one of the many reasons I am still a teacher. I have changed how I teach argumentative writing from shorter on-demand projects to longer multi-genre projects. We have done paragraphs. We have done essays. Normally for this particular project, I connect the topic choices to the novel we just got done reading. However, I always have to remind myself to be inclusive and responsive to the class that I am teaching. Here is the bottom line: My class just wasn’t into Roll of Thunder, Hear My Cry by Mildred Taylor. After trying to get a grasp on history, having great class discussions, and talking about plot elements in the text, my class was simply ready to move on. This feeling of wanting to press on along with the feelings of wanting to do more cycles of argumentative writing gave way to the approach I took for this project. I have combined many aspects of how I teach argumentative writing over the years. You will see essay packets, example essays and mentor texts, and the various ways I try to grade throughout the process to make sure I stay above the paper line. However, this post will also outline the intention of showing our students that learning this process can be ultimately tied to the debate process, and the issues we are talking about genuinely have an impact on our lives now. With a class that seemed a little out of touch, nothing can be a better tool to put them back in touch than an argumentative essay.

Zaretta Hammond's book Culturally Responsive Teaching & The Brain: Promoting Authentic Engagement and Rigor Among Culturally and Linguistically Diverse Students provides the link to understanding the importance of being culturally responsive and the science behind our students’ learning. In terms of the writing workshop or the general teaching of writing, culturally responsive teaching involves a shift in mindset regarding my instruction, but more specifically about students that I often will label as "struggling writers." It is not a coincidence in teaching that the term "culturally responsive teaching" often is parallel to conversations about students of color, English language learners, or students of lower socioeconomic status. My general education classroom looks entirely different from my advanced education classroom. Part of CRE Education is challenging the labels that are placed on our students. This post will outline some key points from Hammond’s book, and it will make some suggestions for the writing workshop within the English Language Arts Classroom.

When that beautiful time of year rolls around to teach the argumentative essay to your middle school students, you might find yourself crinkling your nose and thinking, “Oh boy, let’s just get through this.” 

I don’t blame you! 

Teaching the argumentative essay is no easy feat. You aren’t just teaching students the flow and structure of writing, but you are also teaching them how to research, evaluate evidence, make a claim, argue, convince, and write in a formal style. Many of these skills might be new to your students, so it is important to go slow, keep it simple, and make it very clear. 

Today we are going to be looking at 5 tips and tricks to help you teach the argumentative essay to your students in a fun, clear, and simple way!

1. Mentor Texts are Golden

2. Structure is Everything

3. Research is Key 

4. The Little Details Matter

5. Checklists are a Must

What a year this has been! 2019 is coming to a close tomorrow with New Year’s Eve, and I wanted to take a moment to say thank you for sharing this blog space with me throughout the past year. In January 2017, I started Writing Mindset as a way to reflect on teaching. Now, I focus on the ability to not only reflect on teaching, but to also constantly share ideas and learn from others. This blog has been and continues to become a passion project that is an outlet for my learning through teaching. It is also a space that is teaching me so many things. I am always in the role of a student when I am working on Writing Mindset. What I love most about education is trying new ideas and learning new strategies as ways to give and receive information. I am a Questioner, but more so, I am a person who loves to reflect on what went well and the things that did not go so well in my classroom and in life. 2019 was a rollercoaster of reflection. I was awarded the Michigan Council of Teachers of English Middle School Teacher of the Year, I pushed myself outside of my comfort zone by presenting at conferences, and with 48 total blog posts in 2019, I wrote more than any other year so far on the blog. I lend that to being wildly passionate about mentor texts, but I also feel like I am getting closer to why this blog exists in the first place. Writing Mindset is a way to use writing to access mindfulness, mindset, and overall wellness. I can see 2020 becoming a year when I focus more on the whole teacher. This includes the mental, physical, emotional, and intellectual health of anybody in education. Our wellness is an access point to more complex issues in education. As I said in the winter break post recently, our health is their health. Too many of us are unhappy, and too many of us are unhealthy. I can’t wait to explore some of the ways teachers can continue to be happier and healthier in 2020.

I love swapping weekly routines with teachers. It shows what we value and what we prioritize for each day of teaching. I talked about my planning process in my back-to-school bullet journal post in August, but this plan can be a candidate for change based on the group of students each year. I always like to review my weekly routine each year when I do my reading each summer. Reflecting on these practices is one of the ways that I like to feed my own creativity and keep my teaching practices fresh for students. I know teachers always like to have established routines “that work,” but I would argue that the new things we try to keep our student-minds working like new. I got into teaching because learning was something that appealed to me; the nature of the weekly routine is something that begs to be refined over and over.

Let’s #swaproutines. I would love to know how your classroom runs and is organized with different activities and lessons.

The phrase that I have heard so many times in meetings and throughout professional developments is: “We have to stop going a mile wide and an inch deep.” I will often keep track of how many times I hear this in meetings on a sticky note. Not kidding. The alternative to this is of course that we need to be focusing on an inch-wide worth material while going a mile deep in the quest to find mastery. As this idiom relates to teaching, secondary English Language Arts teachers have the particular problem of being tasked with teaching both reading and writing in small blocks of class time. Here are some particular questions I often get on the blog, in my classroom, and the questions I ask myself on days when I am pulling my own hair out:

How do I fit it all in?

What gets left out if I can’t do it all?

How am I building readers AND writers?

Is reading more important than writing?

Does my curriculum guide provide that balance of reading and writing for me?

These are just a few questions that cause any ELA teacher to pause and reflect and perhaps think, “how is this job even possible.” My brain often looks like a tangled Pinterest feed with ideas about strategies and resources.  I don’t have any hard answers here. I just want to provide how I attempt to “fit it all” into my blocks of class time each day, week, and year. I have many things I love and will continue to do, and I have things that I try out all the time. This goes back to my non-negotiables because I have things that I will always continue to do because I can visually see learning taking place in front of me, and I have things I try to improve on all the time. My goal with this post is NOT to try to say what the correct strategies are for “fitting it all in,” but simply offer a way one teacher is doing it in the spirit of collaboration and sanity. 

Below is my acceptance speech from receiving the Michigan Council of Teachers of English Middle School Teacher of the Year Award at the fall annual conference in Lansing, MI. I so appreciate the support during the speech, and also the kind words that I received throughout the day at the conference. I would also like to thank Dr. Karen Vocke from Western Michigan University for my wonderful award introduction.

I wanted to review one of Kelly Gallagher's strategies called Article of the Week that has changed the game of teaching for me. I have tried every method of homework under the sun in the past 9 years. I have tried homework menus, homework assigned on certain days, daily five homework, grammar homework, reading homework, writing homework...and the list goes on. The main method of homework that works for my students and that remains genuine is Gallagher's Article of the Week. The Article of the Week or AOW incorporates the addition of useful non-fiction resources into the classroom, and also provides students with a method of increasing their reading performance and knowledge base. Students are taught skills and purpose with annotation.  I like to assign a new focus for each trimester while doing an AOW.

I have been using generative writing in the writing workshop in my middle school classroom for years. However, I have been using it mainly only in ONE genre of writing: personal narrative writing. After attending a National Writing Project cohort training for C3WP (College, Career, and Community Writers Program), I realized that generative writing really is at the heart of all writer’s workshops because it uses the students’ interests and personal experiences to create the topics, provide the organization, and make the connections that are so necessary for engagement and comprehension. The answer to most things in education is coming back to the relationships and rapport we establish with our students, but these ideas are not new.

The secret behind our workload is our mindset. While I named my blog and place of reflection “writing mindset,” it really means teacher mindset regarding the job we are doing each day. I just so happen to love teaching reading and writing. The way we think about assessment leads us to take papers home. We believe that we have to take stacks home to provide effective feedback in our English Language Arts classrooms because that has been the tradition. However, a change in mindset can cause us to sway in our thinking; teachers can become flexible in how and why they assess materials in the classroom. Simply, We can minimize the paper load coming home each time we hand out an assignment due to the perceptions we have about the assignment outcome. Bottom line? We control our paper. 

In my recent posts, I have declared my two main goals for this upcoming school year are building empathy and prioritizing reading. I want to focus on helping my students try to be better people who dislike reading less. Perhaps, I can also help them call themselves readers as they travel through the school year in my classroom. A way to access this love of reading is through conferencing in both realms of reading and writing. While I have used conferences in the past, this year I want to be extremely purposeful with conferences. I did mentor text warmups this past year, and I want to continue to keep my mentor text routine. I love using mentor texts to empower writers. However, I want to start class each day with independent reading. This will force me to put conferences at the beginning of class; it will become the most important thing we do each day. In order to make reading a priority, I have to show them that it matters. 

#NerdCampMI in Parma, MI may be one of the best educational experiences a teacher can ask for in the summertime. Let me be clear: I was already tired from writing camp and wrapping up the school year. But, something about experiencing NerdCamp for the first time left my heart full and my mind open to possibilities in my classroom as a teacher and in my own life as a writer. It didn’t matter how tired I felt; I was ready to be a nerd.